饼干

《饼干》以细小而日常的意象切入人与人之间难以言明的牵连。在1975年的法国社会语境中，亲密关系里的依赖、试探与疏离彼此交错，情感既可能带来慰藉，也暗含控制与误解。伦理片的视角让人物关系不止于表面的靠近，更指向欲望、伦理和个人选择之间的微妙张力。

This 1975's original sexual comedy by the director Joël Séria is full of unexpected situations between a man and women. A salesman of umbrellas, Henri Serin (a magnificent Jean-Pierre Marielle), is having sex with all the women of which he paints a portrait and which he encounters during his travels. While one is cooking in her kitchen, he is painting. Once he is invited but im...

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This 1975's original sexual comedy by the director Joël Séria is full of unexpected situations between a man and women. A salesman of umbrellas, Henri Serin (a magnificent Jean-Pierre Marielle), is having sex with all the women of which he paints a portrait and which he encounters during his travels. While one is cooking in her kitchen, he is painting. Once he is invited but immediately expelled when he wants to unfold her traditional ribbon. Henri Serin falls for a very young woman which he can seduce while making a portrait of her. His only friend is a modernist priest (Romain Bouteille) who likes to talk with him in the local bar. Henri Serin does not think of tomorrow and lives "la vie d'artiste". Life is beautiful and sex is life.